•  
  •  
 

Informasi

Keywords

Niqab, Hijrah, Piety, Representation, Media.

Document Type

Article

Abstract

HIjrah is not only limited on human relation with God, but also how hijrah discourse existence is delivered in the media as discourse battle arena. Niqab is a characteristic of a woman going through hijrah. By using multimodality of Gunther Kress and Theo van Leuween, this critical discourse digs deeper on phenomena of woman in niqab and contestation of piety show-off in the media. Based on analysis performed on four accounts of woman with niqab in Instagram, narration found that the most massive show-off action of piety are performed by niqabis, that is in the act of religious activities, such as reading Al-Qur'an, praying, suggestion on sadaqa and five-times prayer. Moreover, piety representation is also performed by using quotes in Arabian language and Arabian woman figure as illustration to legitimate the hijrah journey of a woman in niqab. Piety, not only it displays woman in covering clothes, but also intersection with popular culture. It's existence is put together with the incidentally profane Korean wave love romance This phenomena shows a paradox where there is incorporation of religious sacredness with the often considered profane Korean wave.

First Page

107

Last Page

126

Page Range

107-126

Issue

1

Volume

53

Digital Object Identifier (DOI)

10.21831/informasi.v53i1.59261

Source

59261

References

Amer, S. (2014). What is veiling. The University Of North Carolina Press.

Amna, A. (2019). Hijrah artis sebagai komodifikasi agama. Sosiologi Reflektif, 13(2), 331-350. https://doi.org/10.14421/jsr.v13i12.1531

Bullock, K. (2002). Rethinking Muslim Women and the Veil: Challenging Historical & Modern Stereotypes. Herndon: The International Institute of Islamic Thought.

Bunt, G. R. (2018). Hashtag Islam: How cyber-islamic environments are transforming religious authority. The University of North Carolina Press.

Debord, Guy. (1967). The Society of Spectacle. New York: Zone Books.

Dolorosa, G. N. (2019). Misrecognition dalam praktik hijrah selebriti di media. [Thesis Magister Kajian Budaya dan Media]. Universitas Gadjah Mada.

Edkins, J., & Nick, V. W. (2013). Teori-teori Kritis: menentang pandangan utama studi politik internasional. Yogyakarta: Pustaka Pelajar

Fairclough, N. (1989). Language and Power. Longman.

Giddens, A. (1991). Modernity & self - identity: self & society in the late modern age. Stanford University Press.

Hall, S., & Paul, D. G. (1996). Questions of cultural identity. London: SAGE

Idntimes.com. (2018). 10 Potret Gaya Hidup Mulan Jameela setelah Berhijrah, Makin Syar'i. https://www.idntimes.com/hype/entertainment/danti/10-potret-gaya-hidup-mulan-jameela-setelah-berhijrah-makin-syari/2.

Jazuli, A. S. (2006). Hijrah dalam pandangan al-qur'an. Gema Insani.

Jenkins, H. 2006. Fans, Blogger and Games: Exploring Participatory Culture. New York: NYU Press.

Muhammad, A. A. (2004). Strategi hijrah: prinsip-prinsip ilmiah dan ilham tuhan. Tiga Serangkai.

Murtopo, B. A. (2017). Etika berpakaian dalam islam: tinjauan busana wanita sesuai ketentuan islam. Tajdid: Jurnal Pemikiran Keislaman dan Kemanusiaan, 1(2), 243-251.

Robinson, K. (2009). Gender, islam and democracy in Indonesia. Routledge.

Pranoto, A., & Damayanti, R. (2019). Konstruksi Seksualitas Perempuan dalam Keindahan dan Kesedihan Karya Yasunari Kawabata. sarasvati, 1(2), 100-110.

Situmorang, M, dkk. 2000. Kajian Feminis Dalam Novel Perempuan Terpasung: Gejolak Cinta di Balik Cadar Karya Hani Nagshbandi. Kode: Jurnal Bahasa, 9(4), 1-14.

Suhendra, A. (2016). Kontestasi Identitas Melalui Pergeseran Interpretasi Hijab Dan Abstrak Jilbab Dalam Al Qur'an. PALASTREN Jurnal Studi Gender, 6(1), 1-22. http://dx.doi.org/10.21043/palastren.v6i1.976

Thumim, N. (2012). Self representation and digital culture. New York: Palgrave MacMillan.

Webb, J. (2009). Understanding representation. SAGE

Woodward, K. (1997). Identity and difference. SAGE.

Share

COinS